Pop

featuring Gracie

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Her voice carries an ethereal, almost weightless quality – the kind that drifts in and settles somewhere behind your ribs – while her lyrics land with soul-hitting honesty, like a 2am diary entry you weren't quite ready to read. Queue up her songs, let them play start to finish, and just give yourself over to it. A wonderful experience, every time.

Rock

featuring SLAPMARK

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Slapmark is a garage punk band that may or may not exist. Operating out of a cinderblock garage somewhere past the edge of Las Vegas, the band refuses interviews, plays no shows anyone can confirm attending, and communicates exclusively in one-line dispatches that raise more questions than they answer. What's known is the music: fast, fuzzy, and gone before it wears out its welcome. The songs run on a simple philosophy — everything a little too loud, nothing longer than it needs to be. Across a growing catalog of two-minute bursts, Slapmark works a deceptively wide range.

Country

featuring John Bandito

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John Bandito takes the dusty swagger of outlaw country and points it somewhere you'd never expect – straight at the Twenty One Pilots songbook. That warm country voice wraps around every line like late-night whiskey, turning anxious anthems into slow-burning campfire confessions. His reinterpretations don't just cover the songs – they crack them open and find the ache underneath. Saddle up, hit play, and let him take you somewhere familiar and brand new at once.

Rap

featuring Proto X

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Proto X raps like a CPU at full clock speed – rapid-fire flow, multi-syllabic rhymes stacked four deep, and a brain that bars about arithmetic and cartography like they're the most natural subjects in the world. Where most rappers flex chains, Proto X flexes coordinates and number theory, then turns the mic on itself with a wink of self-awareness that makes the whole thing land. Cerebral, fast, and genuinely funny – press play and try to keep up. You won't, and that's the point.